Words’Worth – A Fiction Writer’s Guide to Serious Editing is a book by Jane Riddell, available on Amazon in both paperback and Kindle e-book form. Jane was kind enough to send me a review copy, so here are my thoughts…
Words’Worth (as I’ll call it for short) is a concise (54-page) guide for fiction writers who wish to edit their own work (or have no other option). The main content is set out in three chapters: Overview Editing, Line-by-line Editing, and Pace.
The idea is that you use the advice in the book as a kind of checklist once your first draft has been completed. The chapter on Overview Editing covers such matters as locating the reader in time, avoiding melodrama, and providing breaks from tension. Each item is described in a paragraph or two, and in most cases examples are given as well.
The chapter on line-by-line editing covers the sorts of thing typically covered in traditional copy editing, including avoiding cliches, using strong verb forms, active rather than passive voice, and so on. Finally, the chapter about Pace covers such matters as varying sentence length and deleting unnecessary adverbs and adjectives.
I thought that the advice was sound and the plentiful examples were helpful. If I was being picky I would say that there could have been a bit more about the key areas of viewpoint and showing not telling (writing in scenes, in other words). While the need to avoid telling after showing is covered, the fundamental principle of showing rather than telling isn’t discussed in any depth. That is a relatively minor criticism, though.
New fiction writers should find Words’Worth an invaluable guide to making their writing as tight and compelling as possible. Old hands will find much of the advice familiar, but the book can still serve as a useful checklist and aide memoire.
Words’Worth is not, of course, any substitute for a developmental editor: someone who can assess your book’s basic structure and suggest ways it can be revised and improved. For many new authors accessing such an individual may be difficult or impossible, however.
Likewise, this is not a proofreading guide, and some common mistakes in new writers’ work (the omission of the vocative comma, for example) aren’t covered here. If you’ll excuse a quick plug for my own work, you might find my own guide Essential English for Authors useful in this respect.
Nonetheless, Words’Worth is a book that new fiction writers in particular will find extremely helpful, and at its modest asking price it will definitely be a valuable addition to their resources library.